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Also, in accordance with tradition, the first stone for its construction
was laid on 6 January 1501 (Epiphany), invoking the miracle of Jesus
coming to Earth. The Monastery was thus dedicated not only to Our
Lady, but also to the Three Kings.
The Nativity
became a scene of Adoration in Western art towards the end of the
Middle Ages. Depictions focused on the kneeling Virgin, with hands
held together in prayer in front of the naked and radiant Child,
lying in a manger, or on his blanket.
With the passage of time, paintings of the Nativity in European art broadened into two complementary themes: the Adoration of the Three Kings (or Magi), and the Nativity scene. The way these two themes were depicted, usually featuring crowds of people, turned the Nativity into something of a spectacle.
St. Francis of Assis is considered to be the first to depict the Nativity scene using figures gathered around the manger and the Franciscans became active propagators of this tradition until it was firmly established throughout Christian Europe. It was astonishingly popular in Portugal by the 18th century.
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